From ebe70395ff8f3eae19bf4afb9cdc74dbb2d005ce Mon Sep 17 00:00:00 2001 From: Martha Regan Date: Thu, 7 Aug 2025 17:26:13 +0900 Subject: [PATCH] Update 'How is Digital 3-D Different from Previous 3-D Films?' --- How-is-Digital-3-D-Different-from-Previous-3-D-Films%3F.md | 7 +++++++ 1 file changed, 7 insertions(+) create mode 100644 How-is-Digital-3-D-Different-from-Previous-3-D-Films%3F.md diff --git a/How-is-Digital-3-D-Different-from-Previous-3-D-Films%3F.md b/How-is-Digital-3-D-Different-from-Previous-3-D-Films%3F.md new file mode 100644 index 0000000..4230df8 --- /dev/null +++ b/How-is-Digital-3-D-Different-from-Previous-3-D-Films%3F.md @@ -0,0 +1,7 @@ +
For the reason that daybreak of the moving picture in the late 1800s, filmmakers have been experimenting with ways to make films more thrilling. Movie pioneer Georges Méliès used all types of digicam trickery to create brief movies like his 1898 "Un Homme de Tête," where the character played by Méliès repeatedly removed his head and put each head on a table, or his 1902 "Le Voyage Dans la Lune" where he despatched males to the pie-faced moon on a rocket shaped like a bullet. Some artists turned to animation to create fanciful tales and conditions on film. Absolutely animated cartoons have been around since 1908, when cartoon artist Émile Cohl drew and filmed lots of of straightforward hand drawings to make the brief movie "Fantasmagorie." Others followed swimsuit, including Winsor [simple income method](https://git.lolpro11.me/declan32r1146) McCay with "Gertie the Dinosaur" in 1914, which concerned thousands of frames and was longer and extra clean and practical than most cartoons of the day.
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Most tended to be a bit rough and jerky. Some creators attempt to extend the extent of realism in cartoons, as well. One bit of technology for animating life-like movement is rotoscoping, and it was developed nearly exactly 100 years in the past. Rotoscoping requires relatively easy, though time-consuming, steps and gear. At its most fundamental, it's taking movie footage of dwell actors or other objects in motion and tracing over it frame by body to create an animation. However, rotoscoping may also be used to execute composited special results in live-action movies. In some circles, rotoscoping of cartoons has a bad fame as a cheat distinct from "real" animation drawn [legit work from home guide](http://gbtk.com/bbs/board.php?bo_table=main4_4&wr_id=147105) scratch, and laptop generated artistry has taken the place of a variety of the extra previous-school strategies. But rotoscoping remains to be a doubtlessly useful tool in the arsenal of the animator or filmmaker. He enlisted the help of his many talented brothers (Dave, Joe, [5 Step Formula review](http://119.28.151.66:3000/dominiquedevin) Step Formula Lou and Charlie) to develop and take a look at what would develop into a rotoscope machine.
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The rotoscoping course of required beginning with movie footage. For the Fleischers' first attempt, they went to the roof of an condo building, with a hand-crank projector they'd transformed right into a film camera, and filmed over a minute of test footage of Dave in a clown costume (sewn by their mom). Once that footage was made and developed, the rotoscope mechanism they had pieced collectively was used to project the movie one frame at a time through a glass panel on an art table. Max would place tracing paper over the opposite side of the glass panel and trace over the still picture. When finished, he would move the movie to the next body and begin a brand new drawing over the subsequent picture. The patent mentioned a possible mechanism to allow the artist to move to the next frame by pulling a cord from his current place. For their clown footage check, Max used the projector as a camera as soon as once more, this time exposing each drawn image to one frame of film by manually eradicating and replacing a lens cap for simply the precise period of time, then incrementing the movie.
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They had the film developed, played it again using the projector and found that the method had labored. And the animated clown, who would later be dubbed Koko, was born. Max went on to animate, and his brother Dave to direct, many successful cartoons, starting around 1919 with the "Out of the Inkwell" series that includes Koko the Clown. Three Betty Boop cartoons ("Minnie the Moocher," "The Old Man of the Mountain" and "Snow-White") even integrated rotoscoped footage of Cab Calloway as completely different characters. The Parent Lure," "The Absentminded Professor" and "Mary Poppins. Whatever the shade concerned, shade keying is used to create traveling mattes more routinely by filming actors and different foreground objects in front of a single coloured backdrop after which utilizing movie or digital processing to remove that colour (or every thing that isn't that coloration) to supply mattes for background and foreground elements. It eradicated the need to manually outline and matte parts body by frame and made the process much easier, though it comes with problems of its own.
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